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For some strange reason, thunderstorms have always fascinated me, perhaps because they possess both a soothing characteristic as well as an abundance of raw power and energy. I had tried unsuccessfully to write a storm piece three years prior to completing this one, so even though I composed this work during my junior year at Trinity University, A Passing Storm is really three years in the making.
Taking advantage of the vast array of timbres and instrumental colors within the symphonic wind ensemble, my goal was to sonically recreate the various elements of a thunderstorm. One can imagine thickening and darkening clouds with “clouds” of pitches growing in dissonance and density. Short biting gestures represent lightning strikes while loud bass drum and timpani strikes obviously create the thunder. Also, one can even hear the sound of raindrops in various sections. The piece is comprised of several storm “episodes,” each of which contains a gradual build up and a “dying down”, and each subsequent storm episode is more “severe” than the previous one.
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